A Jazzy Afternoon in Takapuna

On the sunny afternoon of September 17th, 2023, classical and jazz music enthusiasts alike gathered at St. Peter's Church in Takapuna to enjoy an entertaining programme presented by Luminata Voices Women's Chamber Choir, accompanied by an ensemble of talented musicians. With a selection of classic tunes and jazz standards, as well an intriguing “jazz mass”, the programme promised a delightful auditory journey.

The performance commenced with Duke Ellington's "Don't Get Around Much Anymore". The choir, under the direction of its conductor Vanessa Kay, skillfully navigated the intricate harmonies and conveyed the melancholic sentiments of the song with poise and elegance.

Next, "Can't Help Lovin' That Man" provided a platform for the choir's expressive vocal dynamics. The women's voices intertwined gracefully as they arranged themselves in duos and trios of mixed voice part groupings, creating a charming atmosphere that resonated with the audience.

The concert continued with "Fly Me To The Moon," arranged with an unexpected syncopation by Gwyn Arch. The choir's adept handling of the rhythmic challenges, and Rachel Song's impeccable piano accompaniment added depth to this timeless piece.

Irving Berlin's "Alexander's Ragtime Band," arranged by Kirby Shaw, infused a sense of nostalgia and fun into the performance. The choir's enthusiasm, coupled with the lively rhythms, was infectious, invoking smiles from the attendees.

Next up was "A Nightingale Sang in Berkeley Square," in Kirby Shaw's soulful a capella arrangement, which brought a touch of romanticism to the afternoon. The choir's harmonies were gentle and evocative, invoking the image of a moonlit square in a bygone era. Audience members were particularly impressed by the low C in the final chord from the lower altos.

The last item of the first half was the Nidaros Jazz Mass by Bob Chilcott. The choir's rendition showcased their vocal precision and commitment to the spiritual essence of the five movements of the latin mass setting, leaving the audience with a profound sense of serenity.

Delicious chocolates were handed out to the audience during the interval, making the experience a sensory treat in more ways than one – something that’s become a bit of a signature move at Luminata Voices concerts.

Following the interval, the Ben Fernandez Trio took the stage, featuring songs "My Blue Heaven," original composition "B and B," “LOVE”, and "Lullaby of Birdland." With Ben Fernandez on the piano, Hannah de Koster on drums, and Aaron Coddel on bass, the trio put their virtuosity on display. The trio’s collaboration with choir member Judy Dale on vocals was a highlight, infusing the performance with a touch of sophistication. After this interlude, an ensemble of six of Luminata Voices singers dived into "Boogie Woogie Bugle Boy," with Orson Paine's trumpet adding a vibrant touch.

The choir then returned, with a costume change! Director Vanessa Kay was in a stunning sequined red number, and the choir changed out of their trademark big gold skirts into blingy, sparkly black outfits. First up was a rendition of "One Note Samba", where the singers displayed a mastery of the Brazilian rhythms, featuring Judy Dale again as vocal scat soloist. In "Stormy Weather," beautifully arranged by Jay Althouse, the choir showcased their ability to convey profound emotions through their voices. This soulful ballad resonated deeply with the audience.

Then, music folders were put away, and out came bejewelled costume canes for “Puttin’ on the Ritz”. The audience was delighted and entertained by a choreographed number, falling love and laughing with delight at the singers’ cheeky grins and flirty poses.

A small ensemble of singers took the stage for “When I Fall in Love”, made famous by Nat King Cole. Gabrielle Mutu-Grigg's solo was a poignant moment that showcased the individual talent within the choir. Her emotive rendition and the balanced harmonies of the ensemble resonated deeply with the audience.

The choir challenged themselves with in a spirited rendition of "Chili Con Carne", an a capella tune by Anders Edenroth of the Real Group, and finished the concert with "One (A Chorus Line)". The choir's energy was infectious, leaving the audience tapping their feet and yearning for an encore.

The programme selections showcased the choir's versatility in handling different musical styles, from soulful ballads to lively showtunes. A highlight of the afternoon was the tag team of musicians – collaborative pianist Rachel Song played the written scores with sensitively and with a groovy jazz feel, while Ben Fernandez demonstrated his jazz piano skills and band leadership in the standards. Through most of the pieces, Aaron Coddel and Hannah de Koster contributed their considerable skills on the upright bass, and drums, respectively.

In conclusion, Luminata Voices, accompanied by their talented musician friends, delivered a captivating performance that seamlessly blended classical finesse with the vivacity of jazz. Their ability to convey emotions through their voices and engaging presence was commendable, and St. Peter's Church in Takapuna provided the perfect backdrop for this musical journey, making it an afternoon to remember for all who attended.